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How typical for the page to appear as cotton candy—brightly colored sweet philantrophy decorating the plain and straightforward sidebar narrative. Was it the saccharine or the “I Love You” numbers which just made my tooth ache?
How typical for the page to appear as cotton candy—brightly colored sweet philantrophy decorating the plain and straightforward sidebar narrative. Was it the saccharine or the “I Love You” numbers which just made my tooth ache?
I. It is one of those classic fears: not to be identified by everyone else. Of course in a police lineup this sounds most awkward.
II. The progress in the portrayal presumably hinges on the necessary projection most acceptable to the investing class. The designer will fancy art direction to no end when really it is the audited financial statement which truly matters.
III. There is a pot of gold at the end of the rainbow but access to it is limited to the board of directors.
IV. In 1986, cable TV was an idea in science fiction, channel switching was done via analog dials.
V. He who controls the present, controls the past. He who controls the past, controls the future. -George Orwell, 1984
[Here, the link is the title.]
We are made to see what we are only meant to see. This arrangement is legal, fully notarized. Look now, what possible questions can you even ask?
It is the sad nature, perhaps, of that which is truly tragic to fade away into oblivion from the Public’s memory. Why go on carrying such sadness, such pain, such a feel of the hopeless, when it is our very life’s constant struggle. Let the victims and perpetrators of the crime persist on that burden. Let remembrance of such be their doubly tragic fate. This is the omnipresent dark fable of the civilized in this highly-storied age.
This serves as my online note book on all information related to the history of the "most admired media corporation" in the Philippines.